Rename or un-name the Bi-Purple County Line Transitway while it’s still possible (or cheap)

So the political wars over the Purple Line largely ended last week, when the light rail option was selected over the BRT one by the National Capital Transportation Board. The decision now frees the transportation enthusiast crowd to fight over petty and superficial little things, like, for example, the name.

The name “Purple Line” was born back to a day when a legitimate discussion was ongoing between an outer heavy rail line, and the inner light rail line. More specifically, it was born when the Bethesda-Silver Spring light rail line was a separate project from the Silver Spring-New Carrollton Purple Line altogether. But they were merged sometime back under Gov. Glendenning (Wikipedia says it was under Erlich, but that contradicts my memories), and suddenly everyone stopped paying attention to the PG County side. Governor Erlich had the decent sense to not oversell the mid-tier transit line, but managed to make the name situation worse. His DOT’s name, the Bi-County “Transitway,” is an unadulterated sample of bureaucraspeak, managing to say absolutely nothing about anything, while also sounding incredibly unexciting. Bi-County? Which counties? Washington and Allegheny? Marin and Cook? Transitway? There’s no meaningful thing that the term “transitway” promises, although it does sound a bit like a moving walkway or even a slidewalk. I hear that when you visit the mausoleum of Kim Il-Sung, they have one of those things.

But calling it the Purple line unfairly associates it with heavy rail lines that operate in a very different way. Mixing the modes damages the legibility of Metro’s human-interface concept, embodied in its map. More importantly, it disassociates the particualr line from its value as part of a larger network of streetcars. When extensions are made elsewhere and it is connected to the Georgia Avenue Streetcar, it will be possible to run trains from Bolling AFB to Bethesda. Rather than hype up one particular service, instead reminding potential riders of the total extent of the system will likely increase ridership.

Frankly, I think any distinctive branding should simply disappear into the area’s future streetcar network. David Alpert had it right in his metro scheme, simply drawing all overground rapid transit purple. But if named it must be, then let’s go with this spiffy dollop of NIMBY fears, presented in the style of Jim Graham:

That Bastard O’Malley/Erlich/Glendenning’s Inflationary-Federal-Fiat-Currency-Funded-Puce-Hued- Two-County-Not-Underground-New-Carrollton-Silver-Spring-Chevy-Chase-Bethesda-Oh-God-Won’t-Someone-Think-of-the-Trees/It’s-a-Combine-Harvester-for-Toddlers-All-Singing-All-Dancing-Thug-Travelator.

Anyone have a better idea? I, for one, can’t wait for the epic battles between the Sharks and the Jetsons.

The Metronomicon

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A Russian artist and ad man named Alexei Andreev has been publishing some distinctly surreal photography recently regarding the Moscow Sankt-Peterburg Metro. Mostly, it hints at the perpetual creepiness of a dark subway and the complex relationship one always has with it. As much as it’s preternatural eeriness, it also reflects daily life a lot more than most architectural photography of the subway. The whole collection deserves a look, but not before a late night Metro ride.

Eatable things: Fojol Bros. of Merlindia

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At Dupont and New Hampshire Ave.

The Fojol Brothers of Merlindia, a quartet of locally grown twentysomethings with a secret indian chef, are out to revolutionize the street food scene in DC. Along with Ali Baba’s, and the upcoming Sweetflow truck, they’re up against DC’s longstanding tradition of awful, awful street vendors. As one (I think it was Ababa-Du) told me, “All you get in DC is hot dogs and soda … yeah and awful pretzels.” Awful pretzels indeed, and without dijon. Running only on Fridays and Saturdays, all of the members do this in addition to regular jobs and apparently are willing to sacrifice their weekends to bring their traveling culinary carnival to DC.  

Their total aesthetic is a retro fusion of Indian with hip green techno, employing fake mustaches and turbans while they cruise around in a 1960s bread truck. Their trays are made out of sugar cane fibers, their sporks from corn resin, and they compost just about everything else. All of this half-ironic campiness and doo-goodery could be a pretty lame excuse for attention, were it not executed with such batty genius – and more importantly, if their food wasn’t so good. 

It can’t be stressed enough that the food is delicious, basic Indian food. Fretting about authenticity of cuisine is always a bit misplaced, but with complex food from a made-up place, you should just shut up and eat. I had the chicken masala, a pumpkin side, and some sweet sticks. The chicken was a moderately spicy dish that satisfies like any indian food with sauce, while the pumpkin was soft and delicious, with a heavy dose of cardamom that balanced the sweetness of the fruit itself.  The sweet sticks were not so much sweet as they were flavored with cumin and maybe allspice, which made them pretty good for cleaning out the lingering masala spices. 

As I sat there eating, I watched the stream of buttoned-down passers-by giving long, curious looks and other people lingering and plenty eating. It’s never going to be like New York, with its hour-long waits at 53rd & 6th chicken and rice, the ultimate drunk food that is Roti Roll, or the Vendy awards, but this little performance-food experiment is definitely a good thing, and hopefully a sign of things to come

Follow them on twitter and get to eating.