The name “Purple Line” was born back to a day when a legitimate discussion was ongoing between an outer heavy rail line, and the inner light rail line. More specifically, it was born when the Bethesda-Silver Spring light rail line was a separate project from the Silver Spring-New Carrollton Purple Line altogether. But they were merged sometime back under Gov. Glendenning (Wikipedia says it was under Erlich, but that contradicts my memories), and suddenly everyone stopped paying attention to the PG County side. Governor Erlich had the decent sense to not oversell the mid-tier transit line, but managed to make the name situation worse. His DOT’s name, the Bi-County “Transitway,” is an unadulterated sample of bureaucraspeak, managing to say absolutely nothing about anything, while also sounding incredibly unexciting. Bi-County? Which counties? Washington and Allegheny? Marin and Cook? Transitway? There’s no meaningful thing that the term “transitway” promises, although it does sound a bit like a moving walkway or even a slidewalk. I hear that when you visit the mausoleum of Kim Il-Sung, they have one of those things.
But calling it the Purple line unfairly associates it with heavy rail lines that operate in a very different way. Mixing the modes damages the legibility of Metro’s human-interface concept, embodied in its map. More importantly, it disassociates the particualr line from its value as part of a larger network of streetcars. When extensions are made elsewhere and it is connected to the Georgia Avenue Streetcar, it will be possible to run trains from Bolling AFB to Bethesda. Rather than hype up one particular service, instead reminding potential riders of the total extent of the system will likely increase ridership.
Frankly, I think any distinctive branding should simply disappear into the area’s future streetcar network. David Alpert had it right in his metro scheme, simply drawing all overground rapid transit purple. But if named it must be, then let’s go with this spiffy dollop of NIMBY fears, presented in the style of Jim Graham:
That Bastard O’Malley/Erlich/Glendenning’s Inflationary-Federal-Fiat-Currency-Funded-Puce-Hued- Two-County-Not-Underground-New-Carrollton-Silver-Spring-Chevy-Chase-Bethesda-Oh-God-Won’t-Someone-Think-of-the-Trees/It’s-a-Combine-Harvester-for-Toddlers-All-Singing-All-Dancing-Thug-Travelator.
Anyone have a better idea? I, for one, can’t wait for the epic battles between the Sharks and the Jetsons.
But back wen DB were just getting started, a depraved genius named Zak Smith managed to produce illustrations of each page of the book Gravity’s Rainbow. Somehow, he managed to sit down and produce 760 works of art, in multiple media, depicting pretty much everything that happens in the book, in some way or another. I haven’t had a look at the whole thing, but the sheer amount of creativity would make an edition of Thomas Pynchon’s book with these drawings a worthwhile purchase.
And also terms of good (early) works, Metropolis has nicely been hosting blog posts about Yale’s First-year house project, where they also design-build a house for a local rent-to-own program.
I’m currently slowed by life-work-sickness issues, so accept this filler material until I finish the Fort Reno planning maps and some other writing.
At some point in the recent past, the Jester of Columbia, with whom I am associated, released its new issue, themed Solutions. Stay tuned for the April issue Recession. Bauhaus cooking is included in this issue, as is a parody of peakniks, and a host of letters and lists, some of which I contributed. Highlights include: The 99 problems Jay-Z does indeed have, Jonathan Franzen’s The Solutions, as well as the introductory Editaurus.
You may also be interested in the issues of the Jester I designed, Tragedy, Light, and Competition. Technology and Liquid are missing due to what one can only presume is incompetence.
From the Delaware Recovery Site. There’s neither a scale nor any quanta, it’s made of shapes that distort the sizes, it has a dull gray background, the labels are unexplained and uncomfortably juxtaposed, and it sure takes a lot of space to say absolutely nothing here… Edward Tufte is probably having a conniption. This kind of graphical blather is no way to further government transparency and demonstrates plain incompetence on the part of the PR department.
More explanation after the break…